In addition to conceptual questions (how to exhibit a painting besides the traditional way of hanging it on a straight wall with the customary angle of view, and how to arrange it into spatial objects), the Construction Kit cycle responds to the artist’s personal family situation, which allows him to be in intensive contact with the magical world of childhood games and construction kits. In an original way, David Hanvald’s work presents the synthesis of rational (de)construction and a playful approach, a continuation of modern art and its conceptual denial. Thanks to lively and expressive gestures, it is almost magically attractive.